2020-Bude-I-Klippe
I Cliff, oil on canvas, 32×40 (2020)
2020-Bude-II-Werkzeug
II Tools, oil on canvas, 30×40 (2020)
2020-Bude-III-Kartenspiel
III Game of Cards, oil on canvas, 40×30 (2020)
2020-Bude-IV-Schnee
IV Snow, oil on canvas, 32×40 (2020)
2020-Bude-V-Vor-dem-Sommerregen
V Before the Summer Rain, oil on panel, 40×30 (2020)
2020-Bude-VI-Hangberger-Tor
VI Hangberg Gate, oil on canvas, 32×40 (2020)
2020-Bude-VII-Unfall
VII Accident, oil on canvas, 50×72 (2020)
2020-Bude-VIII-Fallhausen
VIII Fallhausen, oil on canvas, 76×47 (2020)
2020-Bude-IX-Platz
IX Square, oil on panel, 40×30 (2020)
2020-Bude-X-Rebellion
X Rebellion, oil on panel, 35×65 (2020)
2020-Bude-XI-Hangberg
XI Hangberg, oil on canvas, 60×48 (2021)
2020-Bude-XII-Kamin
XII Chimney, oil on canvas, 40×30 (2021)
2020-Du-mich-auch
And to you …!, etching, 18×24 (2020)

Shacks

The Shacks were an early exploration into pictures from memory. They're closer to a perceived reality than later series, because the chief interest lay in whether a reconstruction of long-gone image matter – treehouses that have long since fallen in ruin, overgrown with bramble and giant hogsweed – from memory alone was possible in the first place. Instead of going sideways and moving from one space another, constructing and connecting links in the process; here, the painter's eye revolves around the same location in sprawling circles – an exercise in cartography.